Kavit Performance by Sheetal | Poetic Compositions in Kathak

Thank you, Sheetal for participating in our second dance anniversary by performing Kavit.
It is always special for us to provide the platform for such young talents!

Kathak Beginners Lessons: https://bit.ly/KBeginners

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Thanks a ton, fam! Thank you for all the overwhelming support and friendship

Ardhanareeswara Ashtakam Performance by Varun Khanna

Guru Vandana, Kathak Performance by Sadhna

Guru Vandana, Kathak Performance by Sundari

Yeppadi Manam' | Sita's Voice, Bharatanatyam Performance by Janani

Kathak Performance by Sweta Shetty | Ohm Namah Shivaya

Kathak Performance by Disha Noupama | Shanti Mantra

Kathak Dance Performance by Neha Munshi

Kathak Dance Performance by Yana Sharma| Thumri Dagar Chalat

Parmelu Ka Tukra, Kathak Performance by Sundari

Kathak Tarana | Kathak Dance Performance by Moumita Choudhury

Kathak Dance Performance by Sweta Shetty | Types of Chakkars

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Dr Neena Prasad

Master Class

Dr. Neena Prasad's teachings commence with an overview of the Swarajathi, elaborating upon its various facets. The Guru then teaches the students the Ananda Bhairavi Swarajathi, individual components of each part, and elaborates on the performance's technical aspects. This class simplifies the teaching process for learners by providing a complete version of the composition and student demonstrations for better understanding.

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Kalamandalam Gopi

Performance

This Kathakali play with English subtitles is on the second day of Nalacharitham Attakatha by Unnayi Warrier which include the Choothukali (Game of Dice), Verpadu (Separation) and Damayanthiyum Kattalanum (Damayanthi and Forest Dweller). Presented by Padmashree Kalamandalam Gopi, Margi Vijayakumar and Kalamandalam Balasubrahmaniyan.

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Guru Dr Pali Chandra

Gita Govinda

Guru Dr Pali Chandra shows how the varied moods and madness of Radha in the 12th prabandh, song Pashyati Dishi Dishi (Natha Hare Jagannatha Hare), of Jayadeva’s Gita Govinda can be presented in Kathak. Through Explanations, Interpretations, Teaching and Performance, she shows a range of choreographic moves, inspired by her reading of Natyasastra and Abhinaya Darpana, and also suggests improvisations .

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