Natyasutra Online

Bhogeendra Sayinam

Dr Rajashree Warrier

Learn Bharatanatyam composition Bhogeendra Sayinam, a tribute to Lord Vishnu, seated atop the serpent Anantha or Adi Sesha. This Swati Tirunal Kriti was choreographed, presented and demonstrated by Dr. Rajashree Warrier

Paithal Ganapathy

Dr Deepti Omchery Bhalla

Dr Deepti Omchery Bhalla presents a new lecture series dedicated to Lord Ganesha in his child form. The popular ‘Bala Ganapathy’ of the Indian pantheon is majestically rendered in this work titled as ‘Paithal Ganapathy’.

Adikeshava Nritya Prabandham

Dr Deepti Omchery Bhalla

Learn a unique composition in the Mohiniyattam tradition, AdikeshavaNrityaPrabandham. This centuries old composition was taught, explained, demonstrated and performed by Dr DeeptiOmcheryBhalla for online students of Natyasutra. This choreography, which pays homage to Adikeshava, the principal deity of the Thiruvattar Adikeshava Perumal Temple in the Kanyakumari district, is a notable piece set to the Tukka raga and Chembada Tala.

Thillana

Rama Vaidyanathan

Bharatanatyam exponent Smt. Rama Vaidyanathan presents an exclusive lecture series that focuses on a Thillana, originally attributed to legendary Carnatic violinist Padma Bhushan Lalgudi Jayaraman. Available only on natysutra online.

Ghazal Woh Jo Hum Mein Tum Mein

Guru Dr Pali Chandra

Learn Begum Akhtar's famous Ghazal Woh Jo Hum Mein Tum Mein Qarar Tha. Kathak maestro Guru Dr Pali Chandra guides students through the various layers of this composition, exploring Begum’s nuanced take on love that is mature enough to accept not being acknowledged.

Thumri - Dagar Chalat

Guru Dr Pali Chandra

This Kathak online class by Guru Pali Chandra introduces a new Thumri Dagar Chalat, originally written by the legendary Guru Bindadin Maharaj of the Lucknow Gharana. Thumri's individual components - Shabdarth, Vyakhyarth, Sthayi bhav and Sanchari bhav are explained in detail.

Sri Chakra Raja...

Smitha Rajan

It is an ode to Goddess Lalithambika. This keerthana is performed by Smitha Rajan, the granddaughter of Kalamandalam Kalyanikutty Amma.

Sri Sakala Ganadhipa

Sreelakshmy Govardhanan

Sri Sakala Ganadhipa Palaya Mam Anisham is a beautiful composition Choreographed by Sreelakshmy Govardhanan and composed by Dr. M. Balamuralikrishna. Set in Adi Tala, Arabhi Raga, each part of this composition is well explained by the teacher, and also it includes student demonstrations for better understanding.

Kuchipudi Beginners Lessons

Sreelakshmy Govardhanan

Sreelakshmy Govardhanan introduces the viewer to her journey in Kuchipudi. She received these under the tutelage of the legendary Guru Pasumarthy Rattaiah Sarma.

Aduvum Solluvaal

Dr Rajashree Warrier

Learn Tamil Padam Aduvum Solluvaal demonstrated by Dr.Rajashree Warrier, set in Raga Sourashtram. This is a creation of Vaideeswarankoil Subbarama Iyer and is among his most famous works.

Beginners Lessons

Guru Dr Pali Chandra

These classes are for absolute beginners to Kathak. Guru Pali Chandra aims at establishing the foundation among her disciples, and nudge them onto the path of becoming a full-fledged Kathak dancer.

Thiruvempavai

Rama Vaidyanathan

Bharatanatyam teachings and perfromance by Rama Vaidyanathan. Each part of Thiruvempavai is individually introduced, beginning with detailed explanations and teachings by the Rama Vaidyanathan. These are followed by demonstrations from the Guru and a complete performance at the end.

Nalacharitham Second Day

Kalamandalam Gopi, Margi…

This Kathakali play with English subtitles is on the second day of Nalacharitham Attakatha by Unnayi Warrier which include the Choothukali (Game of Dice), Verpadu (Separation) and Damayanthiyum Kattalanum (Damayanthi and Forest Dweller). Presented by Padmashree Kalamandalam Gopi, Margi Vijayakumar and Kalamandalam Balasubrahmaniyan.

Rugmangada Charitham

Kalamandalam Gopi, Margi…

Rugmangada Charitham Kathakali , the role of Rugmangadan is enacted by the eminent Kathakali artist Padmashree Kalamandalam Gopi.

Varnam Suma Sayaka

Smitha Rajan

Mohniyattam artiste Guru Smitha Rajan guides the students through the concept and central theme of the Suma Sayaka Varnam, individual components of each part, and elaborates on the performance's technical aspects. This class also contains a complete performance and msuic/ audio download of the composition.

Sivoham

Rama Vaidyanathan

Rama Vaidyanathan explores the omnipresence of Lord Shiva in this Bharatanatyam composition. His guidance, strength, and perseverance are integral to his believers.

Payaliya Tarana

Guru Dr Pali Chandra

Learn Payalia Tarana Online, a Kathak Composition by Guru Pali Chandra. This composition, Payaliya Jhankar Mori is a combination of Hindu and Persian cultures. A thumri is introduced at the beginning of this Tarana.

Intermediate Lessons

Guru Dr Pali Chandra

This class represents the second stage in the online Kathak series offered Guru Pali Chandra. This is a continuation of the beginner’s Kathak course available on NatyaSutraOnline.

Odissi Beginners Lessons

Vidushi Sujata Mohapatra

Sujata Mohapatra gives an overview of Odissi Beginners Lessons. It contains decades of knowledge imparted by her mentor, Padma Vibhushan Guru Kelucharan Mohapatra.

Pushpanjali and Alarippu

Rama Vaidyanathan

Pushpanjali is a divine offering of flowers that is a mark of respect to the Gods, one's teachers and those who are witnessing the recital. Alarippu is a reference to the flowering bud, which utilizes every part of the artist's body. Rama Vaidyanathan guides us through its intricacies.

Ardhanareeswara Ashtakam

Rama Vaidyanathan

Rama Vaidyanathan explores the duality of Lord Shiva and Goddess Parvati, with a Bharatanatyam composition on their legendary form, the Ardhanareeswara.

Om Jayanti Mangala Kali

Guru Dr Pali Chandra

Om Jayanti Mangala Kali is a special prayer in honor of Goddess Durga. Guru Pali Chandra presents the fortifying power of the Goddess, an amalgamation designed by a host of divine beings.

Sringara Lahari

Rama Vaidyanathan

Sringara Lehari is a South Indian Classical Keerthana choreographed by Rama Vaidyanathan. Learn this Bharatanatyam Composition, dance tribute to Devi, specifically Goddess Saraswati.

Ekkadunnavu Naa Chakkani Swami

Sreelakshmy Govardhanan

Learn the nuances of Javali Abhinaya in Kuchipudi by Sreelakshmy Govardhanan. Ekkadunnavu Naa Chakkani Swami, by Carnatic legend Mysore Sadashiva Rao, empowers the student to delve into this timeless piece's intricate choreography, rhythmic complexities, and dynamic storytelling. Join the course to get a deep understanding of the ethos of this dance composition.

Thumri Kanha Main...

Guru Dr Pali Chandra

Let us bring to life the eternal bond between Lord Krishna and Radha through an age old classic Kanha Main Tose Haari... Learn the storytelling techniques, performance-related pointers and the nuances of this choreography using three arms of Kathak - Kavit, Thumri and Gat-bhav.

The Divine Cowherd

Rama Vaidyanathan

Rama Vaidyanathan takes us on a special Bharatanatyam journey through the dual roles of Lord Krishna on Earth. On one hand, we are protected by his divine aura, while on the other, he is a relatable cowherd.

Ananda Bhairavi Swarajathi

Dr Neena Prasad

Dr. Neena Prasad's teachings commence with an overview of the Swarajathi, elaborating upon its various facets. The Guru then teaches the students the Ananda Bhairavi Swarajathi, individual components of each part, and elaborates on the performance's technical aspects. This class simplifies the teaching process for learners by providing a complete version of the composition and student demonstrations for better understanding.

Navarasa Kauthwam

Dr Rajashree Warrier

Revisit the Navarasas, Nine Emotions that drive our day-to-day lives. Guru Rajashree Warrier’s original Bharatnatyam composition delves into the secrets of the human psyche. The ‘Navarasa Kauthwam’ is a dancer's exploration of the factors that influence every human's journey on Earth. The entire composition, with detailed lessons and a downloadable track, is exclusively available at NatyaSutraOnline.

Cholkettu

Smitha Rajan

Cholkettu, the invocation rituals in mohiniyattam presented by Smitha Rajan. This carnatic composition pays homage to Sri Parvathi-Parameshwara and Devi Saraswathi. The learning of the Cholkettu represents a crucial epoch in a dancer's journey

Thillana | Composition of Kalamandalam Kalyanikutty Amma

Smitha Rajan

Thillana represents the firth item of a Mohiniyattam performance. This is an original composition of Kalamandalam Kalyanikutty Amma and this dance video tutorial has been shortened by Smitha Rajan

Revathi Raga Thillana

Dr Neena Prasad

Dr. Neena Prasad offers detailed analysis, demonstration, and advice on how students must appropriately approach Revati Raga in this Mohiniyattam Thillana. Demonstrations followed by lectures and explanations are the format followed in this course. The different movements of the dancer in the Thillana, the adavus, korvais, and mudras, are carefully explained.

Poothana Moksham

Margi Vijayakumar

Poothana Moksham Kathakali Master Class by Shri Margi Vijayakumar. It showcases the attainment of moksha or liberation of Poothana, a demoness sent to slay Lord Krishna.

कथक शिक्षण ऑनलाइन

Guru Dr Pali Chandra

गुरु पाली चंद्रा के मार्गदर्शन से जाने कथक को ऑनलाइन। अत्याधुनिक विकल्पों तथा नवीनतम तकनीकों से रचना की गई है इस ऑनलाइन कार्यक्रम को जो कथक की नृत्य शैली को सीखने और जानने की प्रबल इच्छा रखते हैं।

ANGIKA : Bharatanatyam Methods and Beyond

Dr Rajashree Warrier

Dr. Rajashree Warrier focuses on how a student must interpret and elaborate the teachings of Abhinaya Darpana . The student witnesses hand movements, gestures, esoteric techniques, expressions, placement, and detailed revision of every essential Bharatanatyam skill required to excel in this field.

Saddu Madalu

Rama Vaidyanathan

Learn bharatanatyam composition by Rama Vaidyanathan set in Kalyani Raga and Adi tala, Saddu Madalu Bedavo Rangayya.... This padam focuses on an interaction between a gopika and Lord Krishna. The former requests the divine being to stop playing his flute at middle of the night and not to invite trouble by waking others.

Lament to the Birds

Rama Vaidyanathan

Rama Vaidyanathan introduces us to the despair of a lover in this Bharatanatyam composition. Our heroine involves the birds in the sky, and this piece focusses on her lamentations to them over her treatment by her divine lover.

Great Indian Stories

Dr Rajashree Warrier

Great Indian Stories is a unique project designed to draw children into an entertaining world of mythology and morals, drama and dance.

Sundara Syama

Geeta Chandran

Sundara Shyama Sundara Bala Leela, a Surdas Padh choreographed, demonstrated and performed by Padmashri Geeta Chandran. Learn this rendition of devotion to Lord Krishna through Bharatanatyam dance techniques.

Padam Kanden Shyamala

Smitha Rajan

Smitha Rajan takes us on a mystical journey in this Mohiniyattam performance. Composed by her legendary grandmother, Kalamandalam Kalyanikutty Amma, this padam Kanden Shyamala traces the bliss of encountering a divine being.

Yennadaina

Rama Vaidyanathan

The Yennadaina Bharatanatyam composition by Rama Vaidyanathan is a tale of an exasperated heroine at the end of her wits. Our fearless protagonist stands up to the object of her adoration, Lord Krishna, as she yearns to be the sole object of his attention.

Madhurashtakam

Rama Vaidyanathan

This Bharatanatyam DanceLessons by Rama Vaidyanathan is subdivided into nine sections. Each part of Madhura ashtakam is individually introduced, beginning with detailed explanations by the teacher. Every word of the original verse is carefully explained. These are followed by demonstrations from the Guru and a complete performance.

Thiruvathirakkali

Thiruvathirakali is a joyous ritualistic dance performed by women in Kerala. This unique program includes a compilation of ten Thiruvathirakali performances.

Aliveni Enthu Cheyvu

Dr Neena Prasad

‘Aliveni Enthu Cheyvu’ is a very popular composition of Swathi Thirunal Maharaja. The course contains 22 video and Dr. Neena Prasad elaborately explains, through the help of her student, the subtle expressions behind the lyrics of the poem.